
Developed in collaboration with vintage guitar enthusiasts John G. Stewart and K. C. Wait,
this is an archtop steeped in the New York City school of guitarmaking - yet designed with the
modern player in mind. Whether being played purely as an acoustic instrument to drive a rhythm
section
Construction details include engraved mother of pearl inlays, ivoroid binding around the body, f-holes, neck and peghead, and the most highly figured domestic maple for back, sides and neck.
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